Classic Swedish Cancels

I started collecting town cancels on classic Swedish stamps in the mid-1980's.

A nice "SKENINGE" cancel on 5ö green

The collection started more or less "by accident:" I was at university in the US at the time, and had gone "home" to Denmark for the summer-- in part to visit family, and in part to work (I didn't have a work permit for the US, at the time) to make money for school.

One day, I found myself strolling through the streets of central Copenhagen, looking at stamp shops. This was back in a time where "street level" retail stamp shops were still fairly numerous; there were at least 12-15 shops I liked to check out, on a regular basis.

One stretch of Gammel Kongevej had several dealers clustered together-- one of them was a favorite: Usually a "cluttered mess" of boxes and albums; this dealer's specialty was to take in people's collections-- and even entire holdings-- on consignment "as is." His opening hours were... well... sporadic, and I expected depended on whether he was out making a "house call" to an estate or someone who wanted to get out of the stamp collecting business. I don't think more than maybe 1/4 of the shop's stock was actually the dealer's own material. Anyway, this shop offered a constantly rotating "treasure hunt" for stamp collectors-- no knowing what might show up.

Of course, being just 24 at the time and a "starving student," my stamp budget was quite limited. Besides, I was in the business of saving money... not spending it; I needed to pay for my classes. However, I was working the 11pm to 7am shift at a factory AND taking on all holidays and weekends I could get (at the time called "antisocial hours"), and making a rather good wage-- so I had allowed myself a little "stamp money."

At the time, my primary stamp collections were Denmark, Sweden and France. I had pretty good collections for someone my age, and had even (hesitantly) started a couple of specialized collections... Danish numeral cancels and the Danish "Bicolours" issue.

As I looked through the shop's endless piles of boxes and albums, I came across a battered shoebox marked "old Sweden." Inside was an unruly mess of old yellowing glassine envelopes with thousands of classic Swedish stamps, from the "Arms" issues to the "Oscar" issues. Some seemed sorted by stamp; some seemed all mixed together. Mostly, I noticed that there was extreme duplication on some stamps-- and I guessed that was why the box was only marked at 1200,- Danish kr. (about US $200, but still a hefty sum in 1984, to a young man with little money). After all, who would want 1000+ copies of a 10ö red Oscar II stamp? I didn't know much about classic Sweden, but I did know that "bundleware" (even old) tended to be cheap.

Originally, I included the Oscar II series

I am not sure what possessed me to take a second look-- but as I scanned through the old glassines, I noticed a few had been marked "better cancels" (in Danish) in pencil. I also noticed that these "better" cancels were lovely strikes, by any measure-- most of them were on 12 öre blue "ringtyp" stamps, as well as the "Oscar II" issue. Having recently started my collection of Danish numeral cancels, I decided that collecting old Swedish cancels might be a fun sideline-- since I had reached a point with my Sweden collection where adding more stamps generally required me to spend $20 or more, per stamp.

I should add that I really "didn't know what I was doing," at the time. In my mind, I had a notion that perhaps I'd get a hold of a map of Sweden and cross off (or highlight) town names as I found them. I should also add that I found this box before cancel collecting in Sweden really became "a big deal."

My Swedish cancel collection started quite humbly. I bought a 32-page stockbook, which gave me a page per letter of the alphabet, with enough left over to make a separate page for major cities like Stockholm and Göteborg. Aside from that, all I did was put stamps in the stockbook, alphabetically, by place name.

It was actually several years before I learned that there was such a thing as a Swedish cancel catalogue-- the "Facit Postal" catalogue, issued every 4-5 years. And then I was amazed to discover that quite a few of my original "shoebox cancels" had considerable value... and they went on to form the basis for my Swedish cancel collection.

That was 27 years ago. A some readers may know, Swedish cancel and postal history collecting has since become a "big deal." Although "ortstämplar" and "hembygdsfilateli" are mostly Swedish philatelic interests collected in Sweden, I have met many fellow specialty collectors around the world-- from Denmark, to the UK, to the US, to Australia.

"Finds," like my original shoebox lot, are rare these days because awareness of this type of material is so much higher than it used to be. Top quality classic cancels sometimes sell for extraordinary prices at large Swedish philatelic auctions. Even those from relatively common (large) towns have been known to sell for many multiples of their catalogue values.

"WESTERÅS" on an early printing of 20ö red

About ten years ago, I decided to narrow down the scope of my Swedish cancel collection, limiting the stamps to only the "Vapentyp" (arms type) and "Ringtyp" (circle type) issues, Facit numbers 1-51. I still have many of my Oscar cancels, but am not actively collecting them any more-- and periodically have sold off some of the better items on eBay. Even so, my collection has grown to several thousand stamps and continues to grow-- albeit slowly-- as I visit stamp shows and pick up an occasional "box lot" or collection from a stamp auction.

Part of the slowness of the collection's growth can be directly attributed to my own rather particular requirements of the quality of cancel I am willing to include. From time to time, I realize that I may have put unreasonable constraints on myself-- but I am in no great hurry, and hopefully have at least another 30 years of collecting ahead of me!

Along the way, I have had the good fortune to pick up a few rarities-- at least within the limited context of Swedish cancels. That said, I am still missing quite a few "fairly common" cancels... just waiting for examples to show up, in the right condition.

Auction News: Goodbye Thomas Høiland?

I recently clicked on my bookmark to go visit the web site of Danish stamp and coin auctioneer Thomas Høiland.

The Thomas Høiland Auctions building

For many years, this has been one of my favorite "big" auction firms in Scandinavia, offering some of the finest material from the Nordic countries and beyond. I've particularly like them, on account of their extraordinary offerings of Denmark, especially as accumulations and box lots.

Much to my surprise, I found myself looking not at what I expected-- a spring auction catalogue-- but a notice that the company had sold its stamp operations to Danish art auctioneer Bruun-Rasmussen.

Meanwhile, Høiland's "web auction" division has already been transferred to Norwegian stamp and coin auctioneer Skanfil A/S. As a long time client of Skanfil, I know the web division is in capable hands.

Now, I know the Bruun-Rasmussen firm because my father was an art collector, and he'd sometimes take me to auctions with him. I realize they are a highly respected firm, and are certainly capable of conducting high quality auctions. What concerns me is that a "stamps only" firm is becoming part of a "general" art auction house... how will this affect the quality and quantity of material offered? I have previously seen Bruun-Rasmussen's stamp auctions and they were very nice, but small affairs with maybe 800-1000 very "exclusive" items... not the giant 10,000+ lot offerings of a Thomas Høiland auction.

The news release from the Høiland firm also stated that founder Thomas Høiland-- along with a number of his staff members-- would be moving along to the Bruun-Rasmussen company.

I have hopes that the quality of Thomas Høiland stamp auctions will find its way to Bruun-Rasmussen... but, for the moment, I am taking a "wait and see" approach.

Variety Focus: Denmark's 5 Kr. Central Post Office

On September 16th, 1912, Denmark issued it's fist true "high value" stamp: The 5 Kroner Central Post Office stamp. Printed from a copper engraved plate, this was also Denmark's first "large format" stamp, being exactly twice the size of normal definitive stamps. The primary use of the stamp was to pay postage for large heavy parcels, and for high value insured letters.

This stamp was actually printed twice, on different types of paper, albeit from the same printing plate. The original printing from 1912 was made on paper with watermark III, large crown, and perforated 12 3/4. A subsequent printing was made on May 3rd, 1915, this time on the new paper with watermark multiple crosses, and with perforation 14 x 14 1/2.

Since only about 86,000 stamps were produced in each printing (yes, stamps, not sheets of stamps), this has never been a "common" stamp in Danish stamp collecting... and being able to afford a "Post Office" for my Denmark collection was a "big deal" until quite a long way into my collecting-- and work-- career. For many years, the market price for this stamp-- even for an inferior copy-- stubbornly stayed ahead of my collecting budget... and this remains true for a significant number of Denmark collectors.

Normal inscription (top) and KJØBFNHAVNS at bottom

This stamp also has one of Denmark's best known and most significant stamp varieties: Under the motif of the Central Post Office building in Copenhagen is the inscription "KJØBENHAVNS CENTRALPOSTBYGNING 1912." However, on the stamp in position 44, the word "KJØBENHAVNS" is mis-engraved as "KJØBFNHAVNS." Since the same printing place was used for both the 1912 and 1915 printings, the error occurs on both versions of the stamp.

The example from my own collection-- pictured at top-- is from the 1915 printing. It is listed in the Danish AFA stamp catalogue as no. 81x. This variety is also included in other European stamp catalogues. Because the "base" stamp already carries a fairly high value, the variety is even more expensive-- and quite difficult to find. It currently lists for 4200,- Danish Kr. (about US $805.00).

Stamp Collecting: Wanting vs. Having

I was emailing with a stamp collecting friend, and mentioned that I had received the fall catalogue from a major European philatelic auction, and had been drooling over all the marvelous and beautiful rarities up for sale.

I can't afford this stamp!

Marvelous and beautiful rarities, I might add, which there is no chance in hell I can afford.

Rather bluntly, my friend offered: "I don't know why you bother. What's the point of wasting time looking at stuff you're not going to buy, anyway?"

His words made me pause and think, for a bit.

It strikes me that collectors-- and not just of stamps-- come in two basic varieties: Those primarily focused on acquiring and having (like my friend), and those for whom a large part of the hobby is about seeing and learning... but without an attachment to "owning" what we see.

Many years ago, I used to keep shop and we sold a number of "collectible" items, including vintage fountain pens and hand crafted glass paperweights. The store had quite a reputation among these specialized collector communities, and people would travel hundreds of miles out of their way to visit our shop. And yet, there were those collectors whose only objective was "to buy," while others would spend hours looking at every single item... but eventually would leave either with nothing, or with an inexpensive item.

Personally, my enjoyment of stamps-- and stamp collecting-- is not tied to "owning" what I look at. Odds are I will never have enough money to acquire a mint copy of Sweden's 3 Skill Bco with the "double 3" error, like the one offered for sale in the auction catalogue I was looking through. But that's OK! I enjoy stamps, regardless of whether they can be "mine" or not.

Random Stamp Musings: "Postally Used"

I collect used stamps.

To be specific, I collect postally used stamps. No CTO's for this boy... and I don't care, even, if said CTO's are from a "good" country.

When I was little, my father tried to get me interested in collecting mint stamps. The points he made was that (A) when you have a mint stamp, you can see the whole design, and (B) there are going to be far more used stamps than mint stamps-- in the long run-- so mint will be more valuable.

I did try-- briefly-- to collect mint stamps from France, but it "annoyed" me because I had to be so careful when putting them into my album. Besides, I just like used stamps-- to me, they are stamps that have done what "they are supposed to do:" they have carried a piece of mail from one point to another.

Whereas I don't spend too much time waxing philosophical about the "romantic" nature of a stamp's journey from one place to another, I do like used stamps for one simple reason: collecting postmarks allows collectors to form inexpensive collections... AND if you decide to collect town cancels, you can form a pretty extensive collection without ever having to spend more than a few cents a stamp. Well... for the most part.

It does sadden me a little that collecting used stamps is getting harder and harder to do. In days gone by, I could go to the local post office, make my way to the area with banks and banks of P.O.Boxes, and on any given day retrieve 15-50 perfectly good used stamps (and sometimes covers) from the garbage cans. Nowadays? Not so much. In fact, it's a rarity that commercial mail (of the kind that gets thrown away at the post office) is franked with stamps.

Collecting postally used stamps has also gotten more difficult on account of the proliferation of self-adhesive stamps. Never mind what different postal administrations might tell you, self-adhesives are more difficult to soak off paper... and a greater proportion of them get damaged during soaking... Some issues are all but impossible to get off paper in one piece, and some countries (like the UK) now issues stamps with built-in "security features" that adds to the difficulty of removing the stamp from the envelope.

These difficulties aside, I will continue to collect postally used stamps, and especially those with interesting and really nice postmarks. I will continue to buy kiloware from different parts of the world, as long as a supply exists. It may be true that newer postally used stamps are getting more difficult to find, but in a sense that adds to the challenge of building a collection.

If all else fails, I may end up getting back to the boxes of old kiloware "I never quite got around to" soaking!

Variety Focus: Denmark's 4RBS classic with "Kranholds Retouch"

4 RBS brown, Ferslew printing, with "Kranholds retouch"

Although considered to be "number 2" in many parts of the world, Denmark's 4RBS Brown has always been regarded as "Denmark's first stamp" by collectors in Denmark. In the Danish AFA catalogue, it is listed as no. 1, and was issued on April 1, 1852, a month before the 2 RBS blue-- which is regarded as no. 2 in Denmark, but no. 1 in some parts of the world. It's a bit confusing-- but I personally believe the Danish approach is the correct one, as these stamps were not issued as "a set," so numerically treating them as such is incorrect.

The 4 RBS stamp is widely collected by specialists, and offers a wealth of printings, colors and plate flaws. Although a "number one" stamp from the 1850's, it remains reasonably affordable, with a catalogue value in the range of US$40.00 and up depending on the printing and color. Collectible quality copies (maybe with 3 margins, or some tiny flaw) can generally be had for about US$10.00, although premium quality 4-margin copies sell for considerably more.

I obtained my first copy of the 4 RBS stamp in 1973, at the age of 13-- when my maternal grandfather passed away, and I inherited his modest collection of Danish stamps. Subsequently, I have become a far more "serious" collector of Danish stamps... and this has included a growing interest in this, Denmark's first stamp.

Kranholds retouch (top) and normal stamp

As I mentioned, many varieties exist on this stamp, but perhaps the best known-- and most coveted by collectors-- is named "Kranholds Retouch." This variety came about when the printing cliché in position 5 of plate II had the word "POST" re-engraved... but the end result was a "POST" that looked quite different from the original design. Although definitely sharper and more readable, the letters "O" and "S" were shorter and quite different in shape from the originals.

This variety exists on the Ferslew (first) printing, and the first two Thiele printings. As you can see from the side-by-side photo (left), there is a considerable difference in appearance between the variety (top) and the regular design (bottom).

A stamp with the variety, from the Ferslew printing, currently has a catalogue value of 3500,- Danish kroner, or about US$675.00.

The "Graded Stamps" Craze

In recent years, the idea of "graded" certificates seems to have taken off. From where I am sitting, the whole things feels like it has gone a bit overboard.

Now, don't get me wrong, I totally understand the idea of "grading" a beautiful and valuable 100+ year old stamp in superb condition, when I am getting a certificate for it, anyway. Quite a few European experts already grade stamps as part of their certificate services, although not with a numerical grade like PSE. The closest would be the standardized grading system of the Swedish Philatelic Federation (SFF) which has been in use for over three decades.

For the moment, the "grading madness" seems to be primarily limited to US stamps. And sure, if I had an XF MNH 15c Columbian, I'd be all about getting a standardized certificate of "just HOW XF" it is.

Grading common stamps from the 1940s and expecting people to pay 300x catalogue value for it? I'm really struggling to connect those dots-- makes me want to ask "what's the point?" and then ponder the issue of whether collectors are actually getting fleeced by the issuers of the certificates.

In my opinion (which may or may not be valid, in the greater scheme of things), common "wallpaper" in beautiful condition is still "wallpaper." What is happening here sounds less like collecting than a marketing attempt to "create value" where there is none. As my grandfather told me when I was little and starting my collection: A very common stamp that old is just that... an OLD COMMON STAMP.

Postmarks: Hagelsrum, Sweden

Pictured here is a copy of Sweden Facit nr. 33, 20 öre bright red Ringtyp perf 13, with an attractive "HAGELSRUM 18.12.1883" town cancel. It looks a bit like the cancel is from 1888, but the line at left is stray cancel ink-- when viewed from the back, you can clearly see the "3" of the date stamp. This is a nice example of the "normalcancellation 16," widely in use in Sweden during the latter part of the 1800s.

What is the value of this stamp? This is Facit 33e, the orange-red shade on "soft" paper, which has a catalogue value of 11:- Swedish Kr. The slightly yellowish shade of the stamp is normal on the soft paper printings-- the paper was typically slightly "cream" colored. The Hagelsrum cancel is a difficult one for cancel collectors to find, and this is a very nice example. Readable cancels from this postal place carry a premium value of 100:- Swedish Kr. and up. Given the quality of the cancel on a fault-free (although a bit off-center) stamp and the scarcity of the place, I'd estimate this stamp would sell for about 200:- to 250:- Swedish Kr. (US $31.50-39.50) at auction, perhaps higher if you were to buy it from a specialist dealer.

A bit about the place this stamp was postmarked: Hagelsrum is located just outside the small town of Målilla in Kalmar county in southeastern Sweden. Strictly speaking, it cannot even be characterized as a village; it is more like a "manor" with associated buildings, and a very small iron smeltery. However, it was-- in the 1800s-- significant enough to warrant its own postal collection point, most likely due to the commercial activity from the iron ore mill.

The blast furnace at Hagelsrum

Local accounts suggest that the first settlements here were by Viking chieftains who'd "rest" in the area between long trips overseas. The first written accounts referring to the manor at Hagelsrum date to 1320, when the farming was most likely in care of a monastery based in the city of Vadstena. There were at the time three farms, a grain mill and an eel fishery in the vicinity.

Between 1447 and 1748, the property changed hands a number of times, was periodically claimed by the Swedish crown, and was burned down/ destroyed and rebuilt several times. There may have been a small castle built during one reconstruction, but this is uncertain as there are no remains found, today. For a while, the buildings were used for a munitions works; the iron smelter oven (basically a "blast furnace")-- which remains largely intact today-- was built from the ground up in 1853, and was in operation till 1877. The furnace is the only one of its kind in Kalmar county to remain well-preserved.

The postal station at Hagelsrum was active from December 1877 until January 1963. Today, mail from the area is processed at nearby Målilla. The current population of Hagelsrum is about 30 people.