Stamp Auctions, Nations, and "Image."

Today I'm going to pass up writing "about stamps" and instead embark on a little self-indulgent editorializing... although this definitely will relate to stamps and stamp collecting.

Yesterday I received a small printed "prospectus" in the mail from a large European stamp auction house. As a 40-some year collector, I've seen a few of these. I've also seen the way sellers of stamps present themselves... and what sort of "image" stamp collecting has, in different parts of the world.

As I read through this colorful brochure, I came to really have a moment of insight as to just how different things were-- and are-- for stamp collectors in parts of Europe, as compared to in the US. I don't know a lot about Asia and Australia, but I get the impression their stamp communities are doing fairly well.

I grew up in Europe; in Denmark, to be precise. Collecting stamps was pretty common. Nobody gave you a second glance if you told them you were a stamp collector. Odds were pretty good that when you talked to your neighbor, he or she probably was a stamp collector, too. Young people collected stamps, old people collected stamps, people somewhere-in-the-middle collected stamps. In the days before the Internet, you went to stamp stores... I had a list of about 20-25 of them around Copenhagen, that I'd go to. Some were good for supplies and stock books, some were good for kiloware, some were good for having "specials" on better stamps, now and then. Occasionally, I'd connect with my older cousin (also a stamp collector) and we'd go to a stamp show, or a stamp auction. I went to "stamp club" most weeks-- as I recall, Thursday afternoons were for "juniors." There was a stamp club in most suburbs.

I arrived in the US of A in 1981... to go to college at the University of Texas, in Austin. Naturally, I expected to find stamp collectors, stamp clubs and stamp stores, just like where I'd come from.

It was just part of the culture shock I experienced that there was no such thing. In a metro area of some 700,000, there was one small stamp club... which seemed to be (at least to my college eyes) made up of exclusively old men. It met once a month. My search for stamp dealers revealed just a couple... and one of them was "by appointment only."

So yesterday, I am looking at this brochure from the European auction house... it is now 30 years later. They do business from a large modern building. The "staff photo" reveals not a group of "old men," but a mostly middle-aged crew, about 60% men, 40% women. They certainly didn't appear "old and stuffy."

It made me realize how different the "image" of stamp collecting is, where I grew up vs. where I live now. I never got the impression people in Europe found it either "strange" or "uncool" to collect stamps... which was the subtle feedback I got when I arrived in Texas. It was as if "stamp collecting was for people to nerdy to have friends, and retired (usually military) people." More than once, I heard the words "Stamp collecting? Isn't that for OLD people?"

The negative connotations make me feel sad. I suppose what really makes me feel sad is that we seem to pay more attention to whether or not we are "doing something cool," than whether we're-- basically-- enjoying ourselves.

As I pondered this, I also realized that my collection has been built 95% by stamps purchased outside the US. Not because I have anything against purchasing from US dealers and auctions-- quite the contrary-- but I simply can't find what I am looking for, with any regularity, at all.

It does make me wonder, however, how the so-called "Hobby of Kings" has managed to get such a less than perfect "image," here in the US...

Creating Albums for a Specialized Stamp Collection

For a while, I was considering writing a stereotypical "New Year's article," filled with a look back at 2011, and assorted resolutions and hopes for 2012. But the world is overflowing with those... to wit, I've already written this kind of article for three other blogs I keep.

So, I decided to do a bit of "show and tell," instead... about the primary stamp project I am working on, and will continue to work on, during 2012.

My original "Abria" France album from 1971

I've been a stamp collector since age six, and my stamps have been housed in an assortment of different places. I started with a large stockbook my father gave me. It had 12 pages, and the colorful cover was a photograph of stamps from all around the world. For a few years, all my stamps fit in it. But my collection kept growing, and when my dad realized I was going to stick with stamp collecting, he presented me with a pre-printed "Abria" album for Scandinavia for Christmas. I was maybe ten. The following year, I received a matching album for France-- which I still have.

This was 1971.

Needless to say, my collections have grown and morphed-- more or less continuously-- since then.

If you are a lifelong collector, perhaps it is just part of the journey that your interests become more and more specialized as you go along. For me, specialization was part choice, part necessity: I reached a point where "filling the next empty space" would cost me more money than I had available to spend on stamp collecting. So I went from "collecting one of each" to looking at "more than one" through plate flaws, printings and postmarks. This happened-- gradually-- in my mid-20s.

Of course, traditional pre-printed albums do not lend themselves to specialized collections. For a long time, I have kept my Denmark specialized in stockbooks. This served as an adequate-- but far from perfect-- solution, for many years. The upside of this approach is that it's easy to move stamps around, as you get new additions. But the main issue I have always had with this approach is that my "primary" examples of each stamp (and blocks and covers) have been in my pre-printed album, while my varieties and postmarks were separate in the stockbooks.

So, a few years ago, I decided I wanted to create my own albums for my Denmark collection.

One of the first new pages, allows for multiples, cancels and more

After looking at my options, I decided to use "Lighthouse" multi-ring binders and quadrilled blank pages. To show the stamps off as much as possible, everything would be mounted in black mounts.

As I said, that was a few years ago...

I soon realized that "layout" is not as easy as it looks. Strike that... I realized that organizing a highly specialized collection requires a lot of planning and foresight, in order to avoid ending up with a giant uncohesive mess.

So, whereas I've actually had the binders and pages for six years... I have mainly been "studying" how I have organized and moved the stamps in my stockbooks. The lesson here, is patience. I don't want to have to significant undo and change anything, once I get going.

I am keeping it very simple. For a while, I considered printing pages with my laser printer, but decided against it-- the almost infinite potential for expansion of a collection that includes minor varieties and cancels would make this an almost impossible task. Instead, I am just using the plain pages with the black mounts... and annotating everything in pencil-- thankfully I have fairly neat handwriting... well... printing. Why pencil? Well, if I do have to move a few items around, it allows me to erase and rewrite descriptions.

Individual captions done in pencil

This will be my primary stamp project for 2012... and beyond. As I assemble the collection, I will also be "putting my money where my mouth is," with respect to documenting the collection (See December 14th post), both for my own benefit... and for the benefit of anyone who might have to "deal with" the collection sometime in the future.

There is, of course, no "right" or "wrong" way to house a specialized stamp collection. My primary objective was to come up with something that works for me. Specifically, I wanted to end my previous problems of not being able to find specific items, because they could be located in an assortment of different books, boxes and albums.

Since I am not an "exhibitor," that was never part of my considerations, although I did want to come up with something fairly "presentable," for when I share with other collectors.

My advice to anyone who wants to create albums for their specialized collection is primarily to plan well. Spend some time looking at how you want to organize, then consider where you will (most likely) be adding more stamps... and where the collection is "finite." This will have a major impact on how you design your pages.

Happy New Year to everyone!

Passage: MyPhilately

It is with some sadness that I recently noticed that Australia-based MyPhilately-- a major social networking site for stamp collectors-- appears to have ceased operation.

According to a message now posted on the site's front page, the site is now for sale.

MyPhilately managed to grow to more than 6000 members, which is a considerable number for a stamp collecting web site. Although the site sometimes seemed a little cumbersome to use, it was generally a friendly and welcoming community where collectors got to know each other through a variety of "sub groups" which allowed people to find each other by collecting interest.

I hope site founder Dan Brown and his team do manage to find a buyer-- it would be a great shame if the "library" of 100,000s of images, posts, blogs and more were to be lost to the collector community for good.

The (apparent) demise of MyPhilately is just another reminder of how impermanent the world wide web can be.

Is Your Stamp Collection Documented?

Recently, we moved to a new house. Then, last week, we took a trip to California to visit family.

These are normal acts people engage in on a regular basis. Moving, and being away made me stop and think about how well (or not) my stamp collections are "documented." What would other people, processing my things, know if something were to happen to me?

If you read philatelic publications-- such as the APS' monthly "American Philatelist"-- it's commonly written that it's important that we collectors remember to insure our stamp collections. There are even companies that specialize in insuring stamp collections. If you have even a moderately "serious" stamp collection, I highly recommend this. Most likely, your homeowner's insurance (unless you have a special rider) will NOT cover the full value of your collection.

But that's not my reason for writing, today.

Both my parents died, a couple of years ago. But even though their "papers" were in immaculate order, they left almost no documentation to actually identify the things of value they left behind. Finding myself "wondering" about some of their artwork made me realize that THIS is exactly how people find "a Picasso painting at a garage sale."

Odds are that unless they happen to be stamp collectors, themselves, you children (or spouse) have no real idea of what your collection is about. They may have the most general idea that your collection is "valuable" to some extent, but what will they do when you die? Will they have the information to sell your stamps for fair market value? In the event you have assembled a specialized collection... would a "general" stamp dealer-- assuming your heirs had the knowledge to contact one-- understand what they were looking at? Will the collection-- which could have paid for a grandchild's college education-- end up with some unknowing dealer who'll offer $5,000 for it? Would anyone (for example) realize that this non-descript Swedish stamp pictured at right carries the only known example of the postmark on it... and would sell for a considerable sum, if properly auctioned, in Sweden?

And so, I have started the process of "documenting" my collections, creating a file of descriptions and information that can serve as an "addendum" to my will.

It doesn't have to be complicated.

A couple of paragraphs to describe your collection, or each of your collections (if you have several). A brief listing of any "highlights" a potential auctioneer or other buyer should be aware of, along with the location of any expert certificates for better items, should you have some. A short list of dealers or stamp auctioneers YOU would entrust your collection to... were you to sell it today... along with their contact information.

Doing this will not only offer you some peace of mind, it will also offer peace of mind to those who-- at some point in the future-- will have to "deal with dad's stamp collection."

New AFA Catalogues from Denmark

I received an early Christmas "present" today.

As a specialist collector, I depend on fairly specialized literature to help me better understand and identify the stamps in my collections. Today, I received the new 2012 AFA Denmark catalogue. Along with it, I also got a copy of the 2008 AFA specialized catalogue-- the last time this catalogue (typically released every 6-7 years) was published.

As I perused the new books, it struck me as interesting how there is much talk about how the stamp collecting hobby is "shrinking," and yet... these two catalogues are both about twice the size they were in my early days of collecting, when I was a kid.

The AFA catalogues are a must, if you're a serious collector of Denmark. The Swedish Facit catalogue will get you a long way-- AFA gets into more detail. Although they are published in Danish, and the pricing is listed in Danish kroner, they are well illustrated and easy to use. The specialized catalogue-- now in color and over 900 pages thick-- offers one of the most thorough listings of constant varieties on Danish stamps. The Faroe Islands, Greenland and the Danish West Indies are also covered.

Of course, at a little over US$200.00 (including postage from Denmark) for the two books, these are not for the faint of heart. Which is also why I only invest in new editions every 4-5 years.

Since the catalogues are Danish, I feel that they also offer a more accurate reflection of the current pricing of Danish stamps. Of course-- like all catalogues-- "full catalogue price" is a rarity for any stamp, however, the AFA catalogues offer a fairly accurate picture of the "relative" rarity of different stamps, and is especially useful when it comes to newer stamps. For example, the 2012 Denmark catalogue now includes pricing for stamps on cover up until 1995, and some of the prices accurately reflect that finding certain higher values genuinely used on cover can be extremely difficult. For example, some of the high value painting stamps-- postally used on cover-- might set you back $25-30, even though the stamps are barely 20 years old. Don't believe me? Try finding a NON-first day cover!

Anyway, I was happy to see these new additions to my philatelic library.

Moving... and Overwhelm

We are-- more or less-- moved into the new house.

Some people deal really well with stress-- in fact, they tend to be at their best when their backs are against the wall. I'm not one of those people.

The last couple of weeks have been very hectic-- and included having a houseguest for a week. Of course, that arrangement had been made a long time ago, back when we thought we would be moved in by mid-September.

The stamp area, as seen from my desk.

I have barely had time to set up (or organize) my new office space-- but things are slowly beginning to take shape. No matter what we do in life, it seems like we always have "more than expected."

As we were packing to leave our old house, I became very aware that I have accumulated far more "unsorted" stamps than I thought. Now that I am unpacking-- for what will hopefully be the last time-- I have grown even more aware of the sheer number of boxes marked "stamp related" that also could be placed into a general category of "to sort later."

Occasionally, I come across programs on cable TV about people who are "hoarders." My wife and I watch (with some fascination) and then grow more determined to control our hoarding tendencies.

It makes me wonder if stamp collectors are all "hoarders," to some degree, except we keep it under some semblance of control by only hoarding one "thing." I am yet to meet a collector who's always "caught up" with his or her collection. For most of us, there are 47 million "projects" and "sub-projects" and piles of things set aside to "deal with later." On the surface, it looks pretty neat and tidy... but stamps are little and light, and the "under control" looking shelf that houses 23 shoeboxes and a bunch of stockbooks may actually be home to a giant mess of items that number in the 100's of thousands.

Not that I am getting down on stamp collectors. Or myself, for that matter.

For the moment, it's just a little daunting... there is so much (now that everything is finally in one place) and "where do I start?" I keep reminding myself of an old truism: "The way to eat an elephant is... one bite at a time..."

The upheaval of moving...

We are moving.

In a few days, the movers-- in the form of two guys and a truck from a local furniture company who moonlight as moving services-- will be here to pick up our stuff and move it to our new house. Well, the house is new to us, not new in the age-of-the-building sense.

A few years back, using part of a bookshelf as "office"

Moving tends to be very stressful and typically a hassle. This time, though, I am somewhat looking forward to it. For the first time, I will have an actual "dedicated" office space for my stamps and other home businesses. Even though I have been "working from home" for years and years, I have never had an actual office to call my own-- typically, I have had a corner of a living room, half a bedroom, a walk-in closet, or something similar. This time, we converted what was the previous owner's fairly large workshop into a light and spacious office for yours truly.

It has been a long time since I have actually had all my stamp boxes unpacked in one place. It will be interesting to see what's in some of these boxes that have not seen the light of day in maybe 15 years.

We are planning to make this our "last" move. Maybe those sound like "famous last words," but we spent a long time very carefully planning what we needed in a home, and then taking our sweet time until just the right thing came onto the market. The relative luxury of being able to wait and buy what we wanted, when we wanted is something we worked a long time towards. My wife and I are both veterans of many, many moves, and tumultuous childhoods that involved frequently moving... so the idea of a "firm" home base is very appealing to both of us.

So, for the moment, I need to shut things down for a while, and pack my stuff. I'll be back with new musings when we get to "the other side."

[Written 2011-10-28; refined and published 2011-12-01]

Stamp Collecting and Building Community

I often talk about "community," on these pages.

One of the things the Internet has given us-- as stamp collectors, as hobbyists, as human beings-- is the opportunity to connect with others and develop more of a sense of community.

In days of old, "community" was pretty much a local phenomenon. You belonged to a local "interest" group-- be it a stamp club, or professional, or political organization-- in your village, your town, your city. That was your "community."

Denmark Scott 737/AFA 768, from 1983

In some interpretation of the world, stamp collectors-- and letter writers-- were among the first who reached out to the precursors of the "Internet," through the fairly common practice of "pen pals," during the Victorian age. "Penny Postage" allowed people in the UK-- and subsequently in other parts of the world-- to reach each other through "Pen Pal Clubs." In many ways, these were the pioneering days of becoming "friends" with someone you'd never actually met in person.

With the arrival of the Internet the idea of "communities formed around a common interest" has grown enormously. Suddenly, we were no longer "geographically dependent," which expanded our opportunities tremendously. Although many philatelists may pooh-pooh the idea of email and the www as a tool to save stamp collecting, fact remains that it's through the Internet we're now able to so easily connect with thousands of collectors around the world whom we'd never have had the opportunity to know, otherwise. Not only that, but we're able to find colleagues and friends, no matter how specialized our field of interest.

I am not unaware of the fact that stamp collecting historically has been a pretty "solitary" hobby... and I also recognize and honor that part of the appeal has been that stamp collecting was something you could "do alone." As such, I would expect a general "personality profile" of philatelists to include disproportionately many introverts and "loners," if compared to the general population... many of whom would simply not be interested in sitting alone in their study for hours, looking at little pieces of paper.

That said, we humans are ultimately "social" creatures... and no matter how introverted we may be, at least some measure of our collecting enjoyment comes from "swapping fish stories" with our peers; comparing and sharing what we have in our collections, and trading with others.

It's up to us, however, to reach out... rather than allow ourselves to grow isolated behind our computer screens. It's up to us to use these new types of media as tools to connect; rather than as an excuse to not have to leave the house, at all. It's up to us to re-create stamp collecting as a 21st century "community," as well as simply an interesting hobby we love.

As I have written before, stamp collecting will not survive-- and even thrive-- if our main effort goes towards trying to bring more "retirees" into the hobby, using the "old ways." It won't work-- especially not in the long run. The people we need to bring into stamp collecting are from "Generation Internet;" the first young people who grew up as "technology natives" with computers and social media.

"Occupy Wall Street" protest in Port Townsend, WA

Yesterday, I spent a couple of hours in the company of several hundred people staging a peaceful protest outside the local offices of a large national banking corporation, as part of the now globe-spanning "Occupy Wall Street" movement. One of the things I "took away" from this event is the notion that the old idea that "the youth of the world will change society" may be an increasingly outmoded concept.

Why?

Most members of "Generation Internet" are mired down in escalating student loans, the struggle to merely survive in a hostile and uncertain economy and a certain degree of hopelessness as greater and greater numbers resort to "moving back in with the parents." It is actually the 50-somethings and 60-somethings who have the experience, wisdom... and (usually) the time and financial resources to make a difference. Interestingly enough, the activist/protesters of the 1960s-- for a while "absent" to pursue the almightly dollar and material success-- now find themselves as the most qualified to be "world shapers and changers" in the 2010's. They are not merely (to use "Occupy Wall Street" terminology) "in the 99%," they are typically in the  80th to 99th percentile who have the most to lose.

The thing that saddens me a lot is that such large numbers of people who belong to this subgroup of "former activists" are deeply apathetic and indifferent-- complaining endlessly about the "decline" of the world, but then choosing to sit at home on the couch with excuses like "I can't make a difference, so why bother?" and "it's up to the YOUNG people, not up to ME."

Nonsense!

Getting back to stamp collecting, in order to appeal to "Generation Internet," we-- the "elders"-- must be willing to step outside our comfort zones to make room for them. That means not only being willing and open to using twitter, facebook, tumblr and online forums to talk about stamp collecting-- but embracing that "interesting stamps in 2011" may be what we (secretly, or not) would consider "useless wallpaper."

The future is now. Are we ready to embrace it and help create a new paradigm for stamp collecting? Or are going to passively stand by and allow our resistance to change to slowly kill the hobby love, and from which we've gained so much?

The next move is yours....