Coveting thy Neighbor's Stamp Collection

Unlike many stamp collectors, I spend a fair amount of time being "plugged into" online venues. I have-- in essence-- been "a nerd" since first messing around with computers in the mid- to late 1970's. I am fairly well-versed in blogging, building web sites, Facebook, twitter, search engines and most other things relating to the World Wide Web. I went to one of the very few schools that had a computer-- when I was 16 (in 1976), such a computer sat in an entire room, and had less computing power than today's average SmartPhone!

But I am digressing.

I am fairly active on a number of online forums for stamp collectors. As part of our forum activities, we tend to share stories and post pictures of our recent finds and acquisitions. In some ways, I think stamp collectors are as much into telling "big fish stories" as any group of people!

A nice stamp I recently added to my collection

What I have found interesting, though, is that whenever I post news about something I've found-- a nice stamp I recently added to my collection-- I almost immediately get a half-dozen inquiries: "Do you want to sell that? Is it for sale? How much is it? Do you have more?"

Maybe I'm being "too sensitive," here... but such inquiries feel a bit akin to walking up to someone you meet at a dinner party and asking "How much money do you make?" I certainly am aware that stamp collecting-- and collecting ANYthing, for that matter-- is about "getting" things for your collection. But still... there is (at least to MY way of thinking!) a huge difference between "new things I put on eBay" and "new things I put in my collection."

It makes me sit back and wonder if everything in life-- not just in stamp collecting-- has gotten to the point where our primary thinking is about "acquisition" rather than about what makes things interesting, in the first place.

Then again, maybe these inquiries are merely the result of the fact that I do sell stamps, as well as collect them-- and maybe part of the territory is an automatic assumption that "everything is for sale." That said, I regard myself as a collector first, and a trader/seller, second.

I should hasten to add that I am not upset about this practice-- merely a little curious.

Happy collecting to all!

Memories: Finding Direction for my Collections

My father started me on stamp collecting, when I was maybe six years old and we were living in Denmark, where I was born and grew up. His original "purpose" in doing so was to teach me geography and world culture, through the images on stamps.

France Scott 1174, from 1967

For 3-4 years, my stamp collecting was strongly "guided" by my dad-- who pretty much told me "what" and "how" to collect. His interests were France, tropical islands and art... and that was reflected in the way he firmly guided me towards French stamps (and France was issuing quite a few large sized "art on stamps" at the time), as well as French dependencies like French Polynesia.

Of course, the only sources of these stamps were the incoming office mail at my dad's office, and going to a stamp dealer.

Meanwhile, lots of stamps from Denmark-- and neighboring Sweden-- poured in on envelopes in the daily mail. Naturally, I'd clip those and also get the ones that came from my dad's office.

However, my dad didn't really encourage me to collect Danish (or Swedish) stamps. In his opinion, they were "dull" and "ugly" and not worthy of collecting. At the same time, he was also dead set against my desire to collect stamps from Poland-- which I thought were very interesting and had lots of colorful pictures of animals and art.

"Nonsense!" said my dad, "those are 'gimmick stamps' created purely to take advantage of stamp collectors!" He was-- at least partially-- right, of course.

At the tender age of ten, I had amassed a pretty large hoard of Danish and Swedish stamps-- and most of my junior philatelist friends collected Denmark and Sweden. I was the only one who "collected" French art stamps, to be sure.

To this day, I remember the specific Danish stamp that led to my officially becoming a "Denmark collector" and to my father ending most of his interest in my stamp collecting endeavors.

Denmark AFA 485, from 1969

I was clipping the stamps from a stack of envelopes my dad had brought home from the office, when he passed and commented "I don't know why you even bother with that ugly junk. You can't even tell what it is!"

He was referring the to pictured 80 øre stamp from Denmark, issued in 1969. It was very common, at the time, as postage for oversized envelopes.

I don't remember the details of the rest of the conversation, just that I ended up telling my dad that I was "more interested in Danish stamps" than in "his" French ones. And with those words, I officially became a collector of Danish stamps-- even though I had already been "saving them" for four years.

Many years later, I came to understand that my dad's views on stamp collection-- and specifically on the issue of "French vs. Danish stamps" had little to do with stamp collecting, and a lot to do with the fact that he loved "all things French," while finding his native Danish culture small, narrow-minded and insular.

I still have my original collection of French stamps, started with my dad in a red "Abria" album. From time to time I pull out the album, and invariably find my way to the pages with the stamps issued between 1963 and 1970-- the period I have the strongest memory of. Now and then I do come across a French stamp I don't have in the collection (I stopped getting new pages in 1980) and add it to the appropriate space for it.

My Denmark collection, on the other hand, is large and varied and specialized and thriving... and has actually grown into a number of specialized "sub collections." Even though I haven't actually lived in Denmark since 1981, I never lost interest in collecting Danish stamps.

US Stamps from a European Estate

Taking a bit of a sidetrack, today.

Note: Today's entry is about some classic US stamps I am selling on eBay. If you just want to skip the personal story behind them and go look, here's the link: Click here for Classic US Stamps eBay auctions (Opens a new browser tab)

My 93-year old stepfather passed away recently-- outliving my mom by about a year. They were retired and lived on a golf course community in the south of Spain. Most of their "stuff" was recently shipped to me, here in the US.

On occasion, my stepdad would "fiddle around" with a (rather messy) collection/accumulation of US stamps. In later years, his eyesight, steadiness of hand and mental clarity somewhat declined, so the "collection" eventually became more like "wads of pages with stamps on them." There were also some cigar boxes with stamps, envelopes with stamps, and some ancient salvaged stock books.

Not "rare," but nice quality!

I don't expect that I'll find any great RARITIES here, but there are certainly lots of "mid value" stamps-- from $1.00 to $25.00 in Scott (a few higher-- maybe to $150.00 CV)-- and some are actually in pretty nice (and even superb) condition. There are also thousands of cheapies, and thousands of damaged-- those will just be tossed into the "sorted" box.

I don't collect US, and I know nothing about US stamps (beyond what I can learn from opening a Scott catalogue)... and I have no "attachment" to this collection. I also know my stepdad was very "thrifty," and would NOT have wanted me to just hand the whole mess off to "some dealer" and get $50.00 for my effort.

Thus, I have decided that what I'm going to do is take "the best" of what I find, and put it out on eBay. I can make high quality scans, hopefully to somewhat compensate for my lack of knowledge about this material. I'll identify the stamps to the best of my ability, which may not be good. Issues such as the "Washington-Franklins" and some of the classics with all their printings and papers and grills completely baffle me.

What I am also going to do is turn everything into "penny auctions." That is, every lot-- regardless of quality or catalogue value-- will open on eBay at ONE CENT, and the market can decide what the stamps are worth. Risky? Maybe... but my experience has been that the stamp market is pretty "intelligent," and good quality material will achieve a fair price. It's the junk nobody bids on. And I'm only going to bother with the better quality material-- the junk I may sell "by the pound," at the end.

So, there are thousands of worthwhile stamps in the two boxes now in my office. So, I expect this little "project" may take me a few years. My plan is to "chunk" the stamps into groups of 100+ individual listings, so people can benefit from cheaper postage costs-- since some of these probably wll sell for a buck or less.

There are also some superb cancels!

My first set, which I have sent to eBay this afternoon, has 148 lots, mostly older used US. Lots of those "in-between" stamps that are too expensive to be in packets, but too cheap for MOST sellers to bother with.

Click here to go have a look at these listings now (Opens a new browser tab)

What might add some "interest" as well is that my stepdad was British and lived in Europe, and was NOT a "specialist." Much of this material has not been in the hands of US collectors for half a century or more.

Anyway, if you happen to be stopping by this page... and US stamps are "your thing," bookmark/subscribe or make a point to come back, from time to time... I'll announce as new listings of these US stamps go up for grabs. By the way, I am not using my normal stamp selling account on eBay-- I usually sell Scandinavian stamps, and I don't want to confuse my "regulars." I'm using my "private" eBay ID, instead.

It'll be a nice "diversion" from my daily routine... and not to worry, this does NOT mean I'm suddenly abandoning writing about Scandinavian Philately!

The "Relative" Popularity of Stamp Collecting

I was born and raised in Denmark, and lived around Europe till I was 20 years old. Since I started collecting stamps when I was six years old, I can safely say that my original impressions of philately were shaped in Europe, and mainly in Denmark.

I have lived in the US since 1981 (I originally came here to go to University), and it has never taken a degree in rocket science for me to understand that stamp collecting in the US is just not as popular as it is in Northern Europe.

The American Philatelic Society (APS), of which I have been a member since 1984, has a group and discussion page on business networking site LinkedIn. Recently, there has been a fairly active discussion about stamps clubs and membership in stamp clubs.

Since we now have the Internet, access to "facts and figures" is much more convenient than in days of old, where writing letters and journeys to the library were required. So I decided to do a quick comparison study of the (apparent) popularity stamp of collecting in the US vs. stamp collecting in Denmark, just using "public" information.

Denmark is a small country, with a population of about 5,544,000 people. The primary organization for stamp collectors in Denmark is Dansk Filatelist Forbund, which currently has in excess of 6,000 members and 112 affiliated local and specialist stamp clubs.

The US is a large country, with a population of about 307,000,000 people. The primary organization for stamp collectors in the US is the American Philatelic Society (APS), which currently has right around 35,000 members, and somewhat in excess of 500 affiliated local and specialist stamp clubs.

If I "do the math" on this, the population of the US is 55.4 times greater than the population of Denmark. Applying that multiple to to the "known" stamp collector data from Denmark, we end up the "fact" that in order for philately's apparent popularity to be the same between the two countries, the APS would need to have 332,400 members and about 6200 local and specialist clubs.

Loosely speaking-- at least on paper-- stamp collecting appears to be ten times more popular in Denmark, than in the US.

But is this "The Truth?" What other factors could play into these numbers? Are Danish stamp collectors merely "more organized?" More likely to join clubs? Hard to say...

One possibility is that the US is-- geographically speaking-- a huge country. The population density of the US is about one-quarter that of Denmark. Access to, and distribution of, information, news and announcements-- regardless of the advent of the Internet-- tends to go down, as population density goes down. People who are widely scattered tend to communicate less-- regardless of what the topic might be. As a result, I believe there are far more "solo" (as in, non-club, non-society, collect in isolation) stamp collectors in the US, than in Denmark.

That's just a theory, though.

One of my great interests in life is "building communities," virtual, or real. The "fellowship of stamp collectors" is a community-- and I am very interested in what we (existing stamp collectors) might to do help our greater community of philatelists not only maintain in the 21st century, but even grow and thrive... in an era where "sending snail mail letters" is rapidly declining.

I look forward exploring the issue of how to help build the stamp collecting "community" in future articles on this blog. Stay tuned!

How Rare is "Rare," in Stamp Collecting?

I was surfing mega auction site eBay, a couple of days ago.

In spite of the fact that the format of eBay-- and the quality of material offered-- has changed (and not for the better) over the years, I still like to go on occasional "treasure hunts," there... looking for the unusual and esoteric for my collections. It saddens me a bit that the site has moved more and more away from being a genuine auction marketplace to being more like a giant retail store. An often severely overpriced retail store, at that.

But I digress.

It seems that eBay stamp sellers-- of all colors and stripes-- are extremely generous with their use of the word "rare." I am always amazed at the number of listings that include phrases such as "Look! Rare old stamp!" to characterize something that's quite ordinary.

It got me to thinking about what "rare" really means, for us stamp collectors. And I was reminded that "rarity" is a very subjective concept.

No doubt, we can all agree that unique stamps like Sweden's 3sk Bco yellow and the USA 1c "Z-grill" qualify for the designation "ultra rare." A US "Inverted Jenny"-- of which only one sheet is known to exist-- can also safely be called "rare." But most stamp collectors don't spend much time in such lofty domains-- we are typically looking at a whole different type of material... but does that make it "common?" Or, more relevantly, can some of this still be considered "rare?"

Let's take a stamp like this one: This is the 1kr King Oscar II high value from Sweden, issued in 1900 (Facit no. 60/Scott no. 65). As shown here, this may qualify as "old," but certainly not rare. This one is in its typically found condition, somewhat off-center with a typical somewhat messy cancel, probably from a parcel card. A pretty normal stamp, which can be had in most dealers' stocks for about $1.00, or less. And it's available, in most dealers' stocks. Rare? Hardly. I probably have 20 of them, here in my duplicate stockbooks.

However, if we compare this stamp to the 10 öre value from the same set, I suppose we could arrive at the conclusion that it is relatively rare. 3.8 million copies of the 1kr stamp were printed, while 1127 million copies of the 10 öre red were printed. So there are 295 copies of the 10 öre, for every copy of the 1kr stamp.

But in an "absolute" sense, it's still not a rare stamp. For the average collector, there's little or no "searching" involved in finding one. Pretty much any dealer who sells Sweden will have it. Or you can visit a stamp selling web site like Delcampe or Stamps2Go, and there will be a dozen presentable copies for sale, at any given time.

So let us change our perspective, a little.

Let's say that we only want "really nice" stamps in our collection, and so the first stamp shown here would be of no interest to us. We want to get our hands on a "premium quality" copy, like this one at right:

This is a well-centered example with a light cancel, fresh colors, full even perfs and a clean back. Given that this 1kr stamp was the top value in the set, and most were used on parcels (or parcel cards), it does take a little work to find a copy that isn't creased, and isn't heavily or messily canceled.

If you were to look through a random batch of 100 of these stamps, you might find two or three in this condition.

Now, we're still talking about the same "not rare" stamp, but has it become rare, because of our premium condition requirements? Well, certainly less common. We now have to "work a little" to fill that particular space in our stamp album.

Most stamp collectors are familiar with the terminology that describes stamp condition: "Average," "Fine," "F-VF," "Very Fine," "Extremely Fine" and so forth. There seems to be a parallel set of terms to describe rarity, although it's far less standardized: "Common," "Uncommon," "Scarce," "Rare," "Extremely Rare." However, stamp rarity seems to be misrepresented (or overstated) far more often than condition.

Now, let's get back to our 1kr Oscar II stamp.

Let's say we want the stamp to have an upright, readable, almost perfect town cancel, like this example here:

Given that most of these stamps were used on parcels and parcel cards, and these were seldom "neatly" cancelled like letters might be, things get a lot trickier. To get a copy like this, the stamp would first have to be one of the limited number that was used on a registered or "money" letter, requiring a high value stamp... in order to get a neat hand cancel. Perhaps 1-in-50 of these stamps were used for that purpose. But not all of those got a perfect cancel. Cancels of this quality are very difficult to find, on the 1kr Oscar. Perhaps 1-in-100 (of the 1-in-50) would actually get a "lyx" quality cancel like this.

As a collector of early Swedish town cancels, I know how difficult it is to find a 1kr Oscar with a cancel like this-- even if the stamp itself isn't perfectly centered.

Remember, we still have the same "not rare" stamp, but has it now "become" rare? Certainly something close to it. In Sweden, cancel collecting is a very popular area of specialization, and if this stamp showed up in a stamp auction, it's a good bet the bidding would ramp up to $50-75-- for a stamp with a catalogue value of $2.25.

This brings up another facet of assessing "rarity," namely the interaction between "absolute" rarity and the "desirability" of a stamp.

Back when I collected British Commonwealth, I had a copy of British East Africa no. 2. This was an overprinted GB stamp, and only something on the order of 2880 copies were created. You'd think this would be an extremely valuable stamp (given that quite a few were used up on mail and discarded), but I only paid $90 for it. Why? Whereas the stamp was definitely "rare" in an absolute sense, only a handful of collectors are interested in that area, so the number of collectible copies of the stamp vs. the low number of collectors wanting/needing it keeps the price low.

In the case of our 1kr Oscar stamp, the superb cancel certainly makes the stamp "scarce," in its own right. However, with potentially hundreds of Swedish collectors eager to own such a stamp, the demand for the available examples in this quality grade this means that it now "appears rare." And the stamp pictured above is far from "perfect:" It's a little off-center, the cancel leans 5 degrees to the left and impression is not 100% "sharp." If all these factors were present, the value placed on the stamp might go into the $100s.

So, to summarize the "meaning" of rarity in the world of philately, the most accurate answer seems to be "it depends." The best thing a collector can do is to become educated about the stamps from their areas of interest... and then take seller claims of "rarity" with a large grain of salt!

Selling Stamps on the Web: Where do you go?

In these "modern" times of the Internet, it's not unusual for stamp collectors to turn into "part time stamp dealers."

I've been one, myself, for over 15 years. I didn't start selling because I "wanted to be a stamp dealer," nor because I was trying to make a living. Like many collectors, I simply wanted to pass on some of my duplicate material... and hopefully get enough money in the process that I could buy more stamps... and keep the cycle of building my collection going, without having to spend too many of my hard-earned dollars from my "day job." My primary objective was always to try to make the expansion of my collections "self-funding."

Of course, as collectors we have lots of options.

Different web sites make different "claims," as to why we should use them-- why precisely their site will be the best thing for us. Sometimes, the options can leave us more confused than enlightened. I have tried-- and, in many cases, continue to use-- a number of online venues, with varying degrees of success.

Like many things in life, I have found that the most appropriate answer to "where should I sell my stamps?" typically tends to be "it depends."

Some sites are "fixed price," like the American Philatelic Society's online "StampStore," or independent site Stamps2Go.

Other sites are "auction format," most notably e-commerce giant eBay, whose humble beginnings were akin to an online garage sale. Since then, dozens of "alternative" sites have cropped up and attempted to present themselves as viable marketplaces.

These days, many sales venues are "hybrids," that is, sellers can choose a combination of fixed price (or "buy it now") and auction formats. On some sites, you can even have your own "online storefront."

But there are additional choices we have to make: Do we choose a "general" sales venue (like eBay or eBid) with a strong presence in the "stamps" category? Or do we choose a "collectibles" sales venue (like Delcampe or BidStart), where the audience is more focused? Or do we choose a "stamps only" venue (like Stamps2Go or StampoRama)?

Another factor that plays into our decision is the fees we have to pay to the selling site. Often, what site we choose, and what fees we're willing to pay, will be dependent on the average price per stamp (or lot of stamps) we're planning to offer for sale. If you have a bunch of 50-cent items you want to sell, it obviously doesn't make much sense to list on a site that charges a minimum fee-per-lot of 25 cents. But that same site might work really well if your average item is worth $10.00.

There are also a lot of web sites to offer "reviews" of places people can sell their items-- stamps, or otherwise. Sadly, the majority do not offer very objective opinions, as they tend to "fund themselves" through a network of "referral links." And who's going to honestly write "this site sucks" if part of their income comes from referring people to that site?

Anyway, this post is a bit of a pre-amble to my intentions to-- during 2012-- write about each of the seller  venues I use to sell stamps. The good, the bad and the ugly... from someone who (a) actually sells (or has sold) on those sites, (b) isn't being paid for his opinions, and (c) specializes in stamps, not all sorts of other merchandise. Not going to set any "schedule" for this-- I'll just get to it, as I can.

Stamp Auctions, Nations, and "Image."

Today I'm going to pass up writing "about stamps" and instead embark on a little self-indulgent editorializing... although this definitely will relate to stamps and stamp collecting.

Yesterday I received a small printed "prospectus" in the mail from a large European stamp auction house. As a 40-some year collector, I've seen a few of these. I've also seen the way sellers of stamps present themselves... and what sort of "image" stamp collecting has, in different parts of the world.

As I read through this colorful brochure, I came to really have a moment of insight as to just how different things were-- and are-- for stamp collectors in parts of Europe, as compared to in the US. I don't know a lot about Asia and Australia, but I get the impression their stamp communities are doing fairly well.

I grew up in Europe; in Denmark, to be precise. Collecting stamps was pretty common. Nobody gave you a second glance if you told them you were a stamp collector. Odds were pretty good that when you talked to your neighbor, he or she probably was a stamp collector, too. Young people collected stamps, old people collected stamps, people somewhere-in-the-middle collected stamps. In the days before the Internet, you went to stamp stores... I had a list of about 20-25 of them around Copenhagen, that I'd go to. Some were good for supplies and stock books, some were good for kiloware, some were good for having "specials" on better stamps, now and then. Occasionally, I'd connect with my older cousin (also a stamp collector) and we'd go to a stamp show, or a stamp auction. I went to "stamp club" most weeks-- as I recall, Thursday afternoons were for "juniors." There was a stamp club in most suburbs.

I arrived in the US of A in 1981... to go to college at the University of Texas, in Austin. Naturally, I expected to find stamp collectors, stamp clubs and stamp stores, just like where I'd come from.

It was just part of the culture shock I experienced that there was no such thing. In a metro area of some 700,000, there was one small stamp club... which seemed to be (at least to my college eyes) made up of exclusively old men. It met once a month. My search for stamp dealers revealed just a couple... and one of them was "by appointment only."

So yesterday, I am looking at this brochure from the European auction house... it is now 30 years later. They do business from a large modern building. The "staff photo" reveals not a group of "old men," but a mostly middle-aged crew, about 60% men, 40% women. They certainly didn't appear "old and stuffy."

It made me realize how different the "image" of stamp collecting is, where I grew up vs. where I live now. I never got the impression people in Europe found it either "strange" or "uncool" to collect stamps... which was the subtle feedback I got when I arrived in Texas. It was as if "stamp collecting was for people to nerdy to have friends, and retired (usually military) people." More than once, I heard the words "Stamp collecting? Isn't that for OLD people?"

The negative connotations make me feel sad. I suppose what really makes me feel sad is that we seem to pay more attention to whether or not we are "doing something cool," than whether we're-- basically-- enjoying ourselves.

As I pondered this, I also realized that my collection has been built 95% by stamps purchased outside the US. Not because I have anything against purchasing from US dealers and auctions-- quite the contrary-- but I simply can't find what I am looking for, with any regularity, at all.

It does make me wonder, however, how the so-called "Hobby of Kings" has managed to get such a less than perfect "image," here in the US...

Creating Albums for a Specialized Stamp Collection

For a while, I was considering writing a stereotypical "New Year's article," filled with a look back at 2011, and assorted resolutions and hopes for 2012. But the world is overflowing with those... to wit, I've already written this kind of article for three other blogs I keep.

So, I decided to do a bit of "show and tell," instead... about the primary stamp project I am working on, and will continue to work on, during 2012.

My original "Abria" France album from 1971

I've been a stamp collector since age six, and my stamps have been housed in an assortment of different places. I started with a large stockbook my father gave me. It had 12 pages, and the colorful cover was a photograph of stamps from all around the world. For a few years, all my stamps fit in it. But my collection kept growing, and when my dad realized I was going to stick with stamp collecting, he presented me with a pre-printed "Abria" album for Scandinavia for Christmas. I was maybe ten. The following year, I received a matching album for France-- which I still have.

This was 1971.

Needless to say, my collections have grown and morphed-- more or less continuously-- since then.

If you are a lifelong collector, perhaps it is just part of the journey that your interests become more and more specialized as you go along. For me, specialization was part choice, part necessity: I reached a point where "filling the next empty space" would cost me more money than I had available to spend on stamp collecting. So I went from "collecting one of each" to looking at "more than one" through plate flaws, printings and postmarks. This happened-- gradually-- in my mid-20s.

Of course, traditional pre-printed albums do not lend themselves to specialized collections. For a long time, I have kept my Denmark specialized in stockbooks. This served as an adequate-- but far from perfect-- solution, for many years. The upside of this approach is that it's easy to move stamps around, as you get new additions. But the main issue I have always had with this approach is that my "primary" examples of each stamp (and blocks and covers) have been in my pre-printed album, while my varieties and postmarks were separate in the stockbooks.

So, a few years ago, I decided I wanted to create my own albums for my Denmark collection.

One of the first new pages, allows for multiples, cancels and more

After looking at my options, I decided to use "Lighthouse" multi-ring binders and quadrilled blank pages. To show the stamps off as much as possible, everything would be mounted in black mounts.

As I said, that was a few years ago...

I soon realized that "layout" is not as easy as it looks. Strike that... I realized that organizing a highly specialized collection requires a lot of planning and foresight, in order to avoid ending up with a giant uncohesive mess.

So, whereas I've actually had the binders and pages for six years... I have mainly been "studying" how I have organized and moved the stamps in my stockbooks. The lesson here, is patience. I don't want to have to significant undo and change anything, once I get going.

I am keeping it very simple. For a while, I considered printing pages with my laser printer, but decided against it-- the almost infinite potential for expansion of a collection that includes minor varieties and cancels would make this an almost impossible task. Instead, I am just using the plain pages with the black mounts... and annotating everything in pencil-- thankfully I have fairly neat handwriting... well... printing. Why pencil? Well, if I do have to move a few items around, it allows me to erase and rewrite descriptions.

Individual captions done in pencil

This will be my primary stamp project for 2012... and beyond. As I assemble the collection, I will also be "putting my money where my mouth is," with respect to documenting the collection (See December 14th post), both for my own benefit... and for the benefit of anyone who might have to "deal with" the collection sometime in the future.

There is, of course, no "right" or "wrong" way to house a specialized stamp collection. My primary objective was to come up with something that works for me. Specifically, I wanted to end my previous problems of not being able to find specific items, because they could be located in an assortment of different books, boxes and albums.

Since I am not an "exhibitor," that was never part of my considerations, although I did want to come up with something fairly "presentable," for when I share with other collectors.

My advice to anyone who wants to create albums for their specialized collection is primarily to plan well. Spend some time looking at how you want to organize, then consider where you will (most likely) be adding more stamps... and where the collection is "finite." This will have a major impact on how you design your pages.

Happy New Year to everyone!

Passage: MyPhilately

It is with some sadness that I recently noticed that Australia-based MyPhilately-- a major social networking site for stamp collectors-- appears to have ceased operation.

According to a message now posted on the site's front page, the site is now for sale.

MyPhilately managed to grow to more than 6000 members, which is a considerable number for a stamp collecting web site. Although the site sometimes seemed a little cumbersome to use, it was generally a friendly and welcoming community where collectors got to know each other through a variety of "sub groups" which allowed people to find each other by collecting interest.

I hope site founder Dan Brown and his team do manage to find a buyer-- it would be a great shame if the "library" of 100,000s of images, posts, blogs and more were to be lost to the collector community for good.

The (apparent) demise of MyPhilately is just another reminder of how impermanent the world wide web can be.

Is Your Stamp Collection Documented?

Recently, we moved to a new house. Then, last week, we took a trip to California to visit family.

These are normal acts people engage in on a regular basis. Moving, and being away made me stop and think about how well (or not) my stamp collections are "documented." What would other people, processing my things, know if something were to happen to me?

If you read philatelic publications-- such as the APS' monthly "American Philatelist"-- it's commonly written that it's important that we collectors remember to insure our stamp collections. There are even companies that specialize in insuring stamp collections. If you have even a moderately "serious" stamp collection, I highly recommend this. Most likely, your homeowner's insurance (unless you have a special rider) will NOT cover the full value of your collection.

But that's not my reason for writing, today.

Both my parents died, a couple of years ago. But even though their "papers" were in immaculate order, they left almost no documentation to actually identify the things of value they left behind. Finding myself "wondering" about some of their artwork made me realize that THIS is exactly how people find "a Picasso painting at a garage sale."

Odds are that unless they happen to be stamp collectors, themselves, you children (or spouse) have no real idea of what your collection is about. They may have the most general idea that your collection is "valuable" to some extent, but what will they do when you die? Will they have the information to sell your stamps for fair market value? In the event you have assembled a specialized collection... would a "general" stamp dealer-- assuming your heirs had the knowledge to contact one-- understand what they were looking at? Will the collection-- which could have paid for a grandchild's college education-- end up with some unknowing dealer who'll offer $5,000 for it? Would anyone (for example) realize that this non-descript Swedish stamp pictured at right carries the only known example of the postmark on it... and would sell for a considerable sum, if properly auctioned, in Sweden?

And so, I have started the process of "documenting" my collections, creating a file of descriptions and information that can serve as an "addendum" to my will.

It doesn't have to be complicated.

A couple of paragraphs to describe your collection, or each of your collections (if you have several). A brief listing of any "highlights" a potential auctioneer or other buyer should be aware of, along with the location of any expert certificates for better items, should you have some. A short list of dealers or stamp auctioneers YOU would entrust your collection to... were you to sell it today... along with their contact information.

Doing this will not only offer you some peace of mind, it will also offer peace of mind to those who-- at some point in the future-- will have to "deal with dad's stamp collection."

New AFA Catalogues from Denmark

I received an early Christmas "present" today.

As a specialist collector, I depend on fairly specialized literature to help me better understand and identify the stamps in my collections. Today, I received the new 2012 AFA Denmark catalogue. Along with it, I also got a copy of the 2008 AFA specialized catalogue-- the last time this catalogue (typically released every 6-7 years) was published.

As I perused the new books, it struck me as interesting how there is much talk about how the stamp collecting hobby is "shrinking," and yet... these two catalogues are both about twice the size they were in my early days of collecting, when I was a kid.

The AFA catalogues are a must, if you're a serious collector of Denmark. The Swedish Facit catalogue will get you a long way-- AFA gets into more detail. Although they are published in Danish, and the pricing is listed in Danish kroner, they are well illustrated and easy to use. The specialized catalogue-- now in color and over 900 pages thick-- offers one of the most thorough listings of constant varieties on Danish stamps. The Faroe Islands, Greenland and the Danish West Indies are also covered.

Of course, at a little over US$200.00 (including postage from Denmark) for the two books, these are not for the faint of heart. Which is also why I only invest in new editions every 4-5 years.

Since the catalogues are Danish, I feel that they also offer a more accurate reflection of the current pricing of Danish stamps. Of course-- like all catalogues-- "full catalogue price" is a rarity for any stamp, however, the AFA catalogues offer a fairly accurate picture of the "relative" rarity of different stamps, and is especially useful when it comes to newer stamps. For example, the 2012 Denmark catalogue now includes pricing for stamps on cover up until 1995, and some of the prices accurately reflect that finding certain higher values genuinely used on cover can be extremely difficult. For example, some of the high value painting stamps-- postally used on cover-- might set you back $25-30, even though the stamps are barely 20 years old. Don't believe me? Try finding a NON-first day cover!

Anyway, I was happy to see these new additions to my philatelic library.

Moving... and Overwhelm

We are-- more or less-- moved into the new house.

Some people deal really well with stress-- in fact, they tend to be at their best when their backs are against the wall. I'm not one of those people.

The last couple of weeks have been very hectic-- and included having a houseguest for a week. Of course, that arrangement had been made a long time ago, back when we thought we would be moved in by mid-September.

The stamp area, as seen from my desk.

I have barely had time to set up (or organize) my new office space-- but things are slowly beginning to take shape. No matter what we do in life, it seems like we always have "more than expected."

As we were packing to leave our old house, I became very aware that I have accumulated far more "unsorted" stamps than I thought. Now that I am unpacking-- for what will hopefully be the last time-- I have grown even more aware of the sheer number of boxes marked "stamp related" that also could be placed into a general category of "to sort later."

Occasionally, I come across programs on cable TV about people who are "hoarders." My wife and I watch (with some fascination) and then grow more determined to control our hoarding tendencies.

It makes me wonder if stamp collectors are all "hoarders," to some degree, except we keep it under some semblance of control by only hoarding one "thing." I am yet to meet a collector who's always "caught up" with his or her collection. For most of us, there are 47 million "projects" and "sub-projects" and piles of things set aside to "deal with later." On the surface, it looks pretty neat and tidy... but stamps are little and light, and the "under control" looking shelf that houses 23 shoeboxes and a bunch of stockbooks may actually be home to a giant mess of items that number in the 100's of thousands.

Not that I am getting down on stamp collectors. Or myself, for that matter.

For the moment, it's just a little daunting... there is so much (now that everything is finally in one place) and "where do I start?" I keep reminding myself of an old truism: "The way to eat an elephant is... one bite at a time..."

The upheaval of moving...

We are moving.

In a few days, the movers-- in the form of two guys and a truck from a local furniture company who moonlight as moving services-- will be here to pick up our stuff and move it to our new house. Well, the house is new to us, not new in the age-of-the-building sense.

A few years back, using part of a bookshelf as "office"

Moving tends to be very stressful and typically a hassle. This time, though, I am somewhat looking forward to it. For the first time, I will have an actual "dedicated" office space for my stamps and other home businesses. Even though I have been "working from home" for years and years, I have never had an actual office to call my own-- typically, I have had a corner of a living room, half a bedroom, a walk-in closet, or something similar. This time, we converted what was the previous owner's fairly large workshop into a light and spacious office for yours truly.

It has been a long time since I have actually had all my stamp boxes unpacked in one place. It will be interesting to see what's in some of these boxes that have not seen the light of day in maybe 15 years.

We are planning to make this our "last" move. Maybe those sound like "famous last words," but we spent a long time very carefully planning what we needed in a home, and then taking our sweet time until just the right thing came onto the market. The relative luxury of being able to wait and buy what we wanted, when we wanted is something we worked a long time towards. My wife and I are both veterans of many, many moves, and tumultuous childhoods that involved frequently moving... so the idea of a "firm" home base is very appealing to both of us.

So, for the moment, I need to shut things down for a while, and pack my stuff. I'll be back with new musings when we get to "the other side."

[Written 2011-10-28; refined and published 2011-12-01]

Stamp Collecting and Building Community

I often talk about "community," on these pages.

One of the things the Internet has given us-- as stamp collectors, as hobbyists, as human beings-- is the opportunity to connect with others and develop more of a sense of community.

In days of old, "community" was pretty much a local phenomenon. You belonged to a local "interest" group-- be it a stamp club, or professional, or political organization-- in your village, your town, your city. That was your "community."

Denmark Scott 737/AFA 768, from 1983

In some interpretation of the world, stamp collectors-- and letter writers-- were among the first who reached out to the precursors of the "Internet," through the fairly common practice of "pen pals," during the Victorian age. "Penny Postage" allowed people in the UK-- and subsequently in other parts of the world-- to reach each other through "Pen Pal Clubs." In many ways, these were the pioneering days of becoming "friends" with someone you'd never actually met in person.

With the arrival of the Internet the idea of "communities formed around a common interest" has grown enormously. Suddenly, we were no longer "geographically dependent," which expanded our opportunities tremendously. Although many philatelists may pooh-pooh the idea of email and the www as a tool to save stamp collecting, fact remains that it's through the Internet we're now able to so easily connect with thousands of collectors around the world whom we'd never have had the opportunity to know, otherwise. Not only that, but we're able to find colleagues and friends, no matter how specialized our field of interest.

I am not unaware of the fact that stamp collecting historically has been a pretty "solitary" hobby... and I also recognize and honor that part of the appeal has been that stamp collecting was something you could "do alone." As such, I would expect a general "personality profile" of philatelists to include disproportionately many introverts and "loners," if compared to the general population... many of whom would simply not be interested in sitting alone in their study for hours, looking at little pieces of paper.

That said, we humans are ultimately "social" creatures... and no matter how introverted we may be, at least some measure of our collecting enjoyment comes from "swapping fish stories" with our peers; comparing and sharing what we have in our collections, and trading with others.

It's up to us, however, to reach out... rather than allow ourselves to grow isolated behind our computer screens. It's up to us to use these new types of media as tools to connect; rather than as an excuse to not have to leave the house, at all. It's up to us to re-create stamp collecting as a 21st century "community," as well as simply an interesting hobby we love.

As I have written before, stamp collecting will not survive-- and even thrive-- if our main effort goes towards trying to bring more "retirees" into the hobby, using the "old ways." It won't work-- especially not in the long run. The people we need to bring into stamp collecting are from "Generation Internet;" the first young people who grew up as "technology natives" with computers and social media.

"Occupy Wall Street" protest in Port Townsend, WA

Yesterday, I spent a couple of hours in the company of several hundred people staging a peaceful protest outside the local offices of a large national banking corporation, as part of the now globe-spanning "Occupy Wall Street" movement. One of the things I "took away" from this event is the notion that the old idea that "the youth of the world will change society" may be an increasingly outmoded concept.

Why?

Most members of "Generation Internet" are mired down in escalating student loans, the struggle to merely survive in a hostile and uncertain economy and a certain degree of hopelessness as greater and greater numbers resort to "moving back in with the parents." It is actually the 50-somethings and 60-somethings who have the experience, wisdom... and (usually) the time and financial resources to make a difference. Interestingly enough, the activist/protesters of the 1960s-- for a while "absent" to pursue the almightly dollar and material success-- now find themselves as the most qualified to be "world shapers and changers" in the 2010's. They are not merely (to use "Occupy Wall Street" terminology) "in the 99%," they are typically in the  80th to 99th percentile who have the most to lose.

The thing that saddens me a lot is that such large numbers of people who belong to this subgroup of "former activists" are deeply apathetic and indifferent-- complaining endlessly about the "decline" of the world, but then choosing to sit at home on the couch with excuses like "I can't make a difference, so why bother?" and "it's up to the YOUNG people, not up to ME."

Nonsense!

Getting back to stamp collecting, in order to appeal to "Generation Internet," we-- the "elders"-- must be willing to step outside our comfort zones to make room for them. That means not only being willing and open to using twitter, facebook, tumblr and online forums to talk about stamp collecting-- but embracing that "interesting stamps in 2011" may be what we (secretly, or not) would consider "useless wallpaper."

The future is now. Are we ready to embrace it and help create a new paradigm for stamp collecting? Or are going to passively stand by and allow our resistance to change to slowly kill the hobby love, and from which we've gained so much?

The next move is yours....

Classic Denmark and Swedish Cancels on eBay

With fall around the corner, and the weather outside not as friendly as it has been, I have been working more on organizing stamps and sorting through old lots.

As a result, I have been adding new items to my eBay stamp store. As always, I focus on listing good quality and desirable material. It continues to sadden me how many stamp sellers use eBay to "dump their junk." I definitely do not choose to be part of that philosophy... and to the degree I sell "junk" stamps, I usually lump them into one large "floor sweepings" lot, clearly marked as "stamps with problems."

So, what's new?

Denmark 4RBS Chestnut Brown

Right now, I am in the process of adding Danish stamps, most of them pre-1930. There are quite a few from the "Bicoloured" issue, although I have not spent time plating most of these... however, the scans are large and clear enough that collectors should easily be able to determine printings and positions from the scans. I have also been listing a number of better varieties and plate flaws... although I am not going to get into specifics about these, as it seems like they sell almost immediately.

Among the better items going up for auction later today (start Sunday, October 9th, end Sunday, October 16th) is a very presentable copy of Denmark's 4RBS brown (Scott #2b/AFA no. 1IIIe) in the rare chestnut brown shade. Although not listed in US catalogues, this shade is valued at US$300.00+ by European catalogues. As with all my auctions, I start bidding at 99 cents, and no reserve.

Meanwhile, I have been sorting and cataloguing a large lot of Sweden Officials and Postage Dues, bought at auction earlier this year. This has turned out to be a very interesting lot, containing not only some nice varieties, but a large number of really nice town cancels. The lot has an interesting "history," in that it contains all Swedish stamps, but was assembled by a collector in Canada, then sent to Denmark to be auctioned, and now has ended up with me in the USA. An excellent example of how stamp collecting truly is a Global hobby!

Normally, when I sort "messy lots" like these, I end up with a lot of defective and uninteresting stamps. This group, however, has been "cleaner" than most with a surprising number of good cancels. After picking out many stamps for my own collection, there has still been a lot left over to sell as duplicates... or as simply not fitting in with my areas of interest.

Current new listings include this copy of a 20 öre red "long" official with a nice strike of the fairly rare "VESTRA KARABY" town cancel. Valued at 500:- SEK (about US$72.50) in the Swedish Facit Postal cancel catalogue, this is one of the rarest cancels I've had on eBay in several years. Although stamp collecting may not be thriving in a worldwide sense, the collecting of postal history and regional town cancels in Sweden is going strong. Known to many as "Hembygsfilateli" (literally: home area philately), this is a highly specialized area of Swedish philately, where collectors focus on postal history from their county or region. This may sound relatively simple-- on the surface-- but it can be surprisingly challenging, as many small towns and places of the 1800s are no longer active postal places, and some were in use for very short period of time.

I hope you'll take a moment to check out my eBay stamp store, today!

Stamporama

The Internet is a funny place.

I must also confess that I have a short little span of attention, and often get sidetracked by "shiny objects." In the case of the Internet, the shiny obejcts just happen to be web sites I end up at... as no particular part of what I was just doing, just a few minutes earlier.

A few days ago, I ended up on a web site called "Stamp-O-Rama."

Denmark Scott B5

Seemed like a very interesting site, and a bit of a departure from most stamp sites-- combining "forum," "stamp club" and "auction" features on one site. So I decided to apply for membership. The membership application process was also appealing, with the final notice that a "real live human" would review my application and approve my membership. Part of why that was appealing is that so many (stamp) sites are plagued by huge numbers of random spammers that ruin it for the legitimate collector and hobbyist. On an actual monitored site, I feel, there's a greater chance that only collectors will be present.

So, I sent off my application, and started checking my email box for my membership approval. The final web site note stated that "it could take several days," which seemed OK since the site is run by volunteers.

And so, the days passed. I patiently waited till October 2nd (12 days later), but did not heard anything back-- and I even checked my email spam filters, since unknown mail sometimes finds its way there. That made me a bit sad, so I'm wrote a note back to the email address on the initial "please wait for approval" letter to see if there was a problem-- and if anyone was still even there.

It's a sad truth of the Internet that many sites (of all kinds) are started with great enthusiasm, and then the founders of those sites lose interest when not as much activity as they expected happens on their sites. It's difficult and time consuming to run a web site-- still more difficult to get it to become a well trafficked "success" that many people use.

In this case, I was relieved that there was a fairly quick response. There had been some kind of mix-up, and I'd somehow been assigned the ID of a different member-- but the error was quickly taken care of. Since Stamporama is run by volunteers, it's understandable that sometimes things slide through the cracks-- I run enough web sites of my own to appreciate that. The Stamporama club/site secretary was very friendly and helpful.

Now I just look forward to exploring the site... and based ion what I've seen so far, I'd like to encourage others to do so, as well. Not only does this appear to be a friendly and fun community for stamp collectors, it also serves as part of the overall effort to help build stamp collecting communities online. Visit and join Stamporama today!

Finding "Treasures"

For me, a large part of the joy of stamp collecting comes from finding "unexpected treasures" in a lot of stamps.

Sure, we can go out and find a stamp dealer, or go to an online stamp store, and buy precisely the one stamp we need to fill a very specific space in the album. And I won't deny that this may be the most appropriate way to collect, for many people.

For me? Not so much.

Most of my collection has been built through buying fairly large lots, collections or accumulations... and slowly sifting through the "mess" to find the few "gold nuggets" I wanted to include in my collections. Sure, I do end up with quite a bit of duplicate material... but there are ways of trading or selling that to other collectors who may need what I don't need.

Recently, I splurged and bought a fairly large lot of classic used back-of-the-book issues from Sweden. Well, for me it was fairly large outlay-- about US $375.00, from a stamp auction firm in Denmark.

Sweden Scott O10, XF-S with rare FRÖSKOG cancel

Buying these classic issues-- most from the period 1874 to about 1900-- is always a bit risky, especially if you can't be present to check the condition. The Swedish "Long" officials (Scott O1-25, Facit TJ1-24) are especially notorious for poor condition-- thins and tears are common, and most stamps are somewhat to extremely off-center. Often the cancels-- especially on the higher values, which were used on parcel cards-- are heavy and unattractive, and will have bled through to the back of the stamp. Collecting a set in VF+ sound condition can be quite challenging... and many collectors just give up on such a proposition, settling for a "reasonable" in Fine or better condition.

As expected, condition was somewhat "mixed." That's typically "dealer speak" for "all the better values are damaged, the cheap stamps are mostly OK." After sorting through the lot, almost 50% of the stamps ended up in my "junk pile" because they were damaged/faulty to some degree. However, there were also some very nice stamps-- with very attractive cancels, one of my specialties-- in the lot.

The "upside surprise," however was that the very best stamp in the lot was also the one with the highest catalogue value:

The pictured stamp is a near-flawless copy of the Sweden 50 öre "long" official, perfed 14, from 1874, Scott no. O10. Not only does it have almost perfect centering, it is very fresh and bright, it has full perfs and no back faults, and a lovely upright town cancel from the village of Fröskog-- a smaller, hard-to-find place. There is a faint hint of a pencil line in the upper right corner, but otherwise it's as close to perfect as they get. This is a difficult stamp to find in merely "sound" condition... but in "gem" condition like this, it an extreme rarity. If I were to try to purchase this stamp individually at a stamp auction, in this condition, chances are I would have to pay well in excess of the $125.00 stated catalogue value.

Needless to say, I was very pleased with the outcome of this purchase, and I am still left with lots of trading and approval book material. Which just goes to show that it's not always the highest value stamps that are in the most "mixed" condition!

I Stopped Collecting Stamps in 1985...

Whoa.

Wait a minute.

This probably sounds a little strange for someone who's often going on and on about how we must try to bring new collectors into the hobby. Well, let me assure you that the title is not what it seems. So, let me explain what brought those words to mind.

I collect postally used stamps. My personal philosophy is that I like to have a collection of stamps that have "done" what stamps were designed to do: Carry the mail. For me, there is a certain charm and interest added by being able to look at a stamp and know that it carried some letter-- anything from a wedding invitation to a payment for a credit card bill-- from "Point A" to "Point B."

In fact, this part of philately/stamp collecting is so important to me that several of my collections are centered not just around the stamps, themselves, but around the postmarks on the stamps.

The collection I currently consider my "primary" is of town cancels on classic Sweden-- only on the issues of Scott/Facit nr. 1-51.

My broader Denmark specialized collection does consist of "one of each" but is also supplemented not merely with varieties and plate flaws, but also with what I think of as "luxury" cancels on all issues. In the US, collectors typically called them "Socked-on-the-nose" (S.O.N.).

So what's the issue?

As mail service-- and the way we communicate-- has entered the technological age, not only are we seeing fewer and fewer letters with stamps, but the way "snail" mail is being processed is increasingly automated.

From the perspective of my Denmark collection, hand cancels (like the one from Horsens, at right) pretty much became a thing of the past, during the mid- to late 1980's. But that's not all. Even nice machine cancels (like the one from the town of Års, upper right) started to fall by the wayside as more centralized mail processing became a fact of life.

What does that mean, in a practical sense? Well, local post offices stopped "handling" mail, and would simply bag incoming mail and send it-- by van or by train-- to central sorting facilities, where the postmarks would be applied. However, instead of 100's (or even 1000's) of different towns, Denmark ended up with just a handful of the postmarks of central sorting facilities.

The photo to the left shows a typical "modern" Danish cancel. It is certainly a "nice" one, and would fit my old qualifications for a "luxury" town cancel... except for the small detail that there is no longer a town involved. The cancel-- from 2010--reads (translated) "Central Sjælland's Postal Center." There is now just one standard postal marking for a region with 100's of towns and villages, and a population of some 300,000 people.

To me, that's just not very interesting. And that's why I realized that I "stopped collecting" around 1985, when town cancels started to go away.

Of course, I haven't actually stopped collecting. 1985 just became my "cutoff point," after which I no longer look for luxury cancels on newer issues.

Of course, this particular "issue" is not unique to Denmark. Other countries around the world are increasingly automating their mail delivery systems, and town cancels everywhere are becoming a thing of the past. In some places, cancels (as applied by a canceling device) have completely gone away, to be replaced by rather unattractive ink-jet "spray on" cancels.

Of course, many postal administrations still allow collectors to bring in their stamps to be hand cancelled by a postal worker at the post office. But whereas I can certainly appreciate the "extra effort" to keep stamp collectors happy, I must confess that I am a bit of a "purist:" Such cancellations-- while certainly "genuine" in all respects-- just do not fit my idea of "postally used."

Ultimately, I can't say that I blame the postal services of the world for "getting with the times." Everyone has to carefully watch where the money goes-- and in saving money, speed and technological advances often becomes a very important factor.

That said, it still makes me sad to realize that my stamp collections have become somewhat "finite;" that is, the possibility of ongoing expansion has gone away.

Auction News: Postiljonen Fall 2011 Auction

Swedish Stamp Auction firm Postiljonen has announced that the online catalogue for their fall 2011 stamp auction is now online. Postiljonen is one of Europe's well known-- and quite prestigious-- large stamp auction firms. This year's fall auction will take place at the Hotel Savoy in Malmö, Sweden, on September 30th and October 1st, 2011.

Although this is a "brick-and-mortar" auction, the richly illustrated online catalogue makes it possible for collectors all around the world to participate-- and email bids are accepted.

A quick looks through the catalogue shows the firm's typical strong selection of high quality classic Scandinavian stamps-- including both superb individual items, as well as large exhibition quality collections. Not for the faint of heart, the lowest priced lots generally have an estimate of 100 Euro (about US $140), with opening bids running to the thousands.

Lot 611 in Postiljonen's current auction. Opening bid: 80,000 Euro

One highlight (click on image to see a larger version) is this superb classic cover  from Sweden, described in the catalogue as: "An exceptional 3-colour franking to the Papal States with 3, 4 and 24 Sk. Bco in very strong colours and with extremely clear excellent cancellations "STOCKHOLM 15.9 1857". Transit and arr. pmks on back together with an official figure handstamp by the Consulate of the Papal States in Stockholm. Cert. Obermüller Wilén. SUPERB EXHIBITION ITEM OF HIGHEST RANK. Provenance: Hans Mott Hugo Josefsson, Grand Prix STOCKHOLMIA 86."

Indeed, worthy of any collection. Opening bid is 80,000 Euro (about US $109,700). So much for the "global recession!"

You can use the following link to visit the Postiljonen Auctions online catalogue and have a look at the offerings in the fall auction.

The "Birthday" theme: Stamp Collecting for Fun

I think it may be a "natural progression" for stamp collectors to begin their collections in the broadest possible way (when I was a child, I wanted to collect "The Whole World"), and then become more and more specialized as time goes by.

Denmark Scott no. 294, cancelled 30.8.1946

I know this has held true for me. "The Whole World" gradually became "Scandinavia," then "Denmark and Sweden." As the years rolled by, each country got further subdivided, as I got interested in specialty areas: For Denmark, numeral cancels on classic issues; the Bicoloured issue and "lux" cancels. For Sweden, the "Ringtyp" issue, and classic town cancels.

Now, I'm not saying that specialization is a bad thing-- far from it!

However, I do think that sometimes our "obsessions" with specialized areas can become a major part what leads to the public image of stamp collectors as "stuffy old men who live in their office." Let's face it... to an outsider, just how interesting does it seem that someone dedicates their life to looking at the "upper right corner" of hundreds of the same little old pieces of paper? Not very inspiring, right? If I were to encounter that-- and the only perspective I can offer is that I have encountered such things, in other collecting fields-- I'd think something like "Wow... I admire the tenacity but pretty boring..." and move on.

I wouldn't exactly say that specialization causes us to "lose our youthful sense of wonder," (after all, WE remain in "wonder" at what we're doing, right?) but perhaps we end up taking ourselves a little too seriously. And perhaps the "side effect" is that specialization also means that what we consider to fall within the realm of "fun" becomes more specialized... consider, again, the "upper right corner" example, from above. I consider the the Swedish "ringtyp" stamps fun... as do 17 other people. But not thousands of other people. And certainly not potential new collectors.

For me, part of what keeps me in touch with the original reasons I started to collect stamps is that I start new collections from time to time. This not only allows me to retain "beginner's eyes" in the context of my new area, but it keeps me from getting stuck in too much of a rut of "Being A Serious Philatelist."

Today is August 30th. It is my birthday. And so, this article becomes about one of my "Fun, Light and Fluffy" collections: stamps postmarked on August 30th.

Denmark Scott no. 73, postmarked 30.8.1909

I started this collection about 15 years ago, when I found an older Danish stamp on my birthday and noticed it had been used on that same day-- August 30th-- 80 years earlier. And it gave me the idea to start the "birthday postmark collection."

This collection has proven to be inexpensive, yet quite tricky. After all, looking for a stamp postmarked on a particular day means you not only have to find stamps with readable cancels, but your chances of finding the date you need is just 1-in-365. But one of the fun things about it is that-- even though this is a "specialized" collection-- I can find stamps to add pretty much anywhere there are stamps sold or traded, and most of the stamps in the collection have cost only a few pennies each.

Within my "Birth Date Collection," I have particular "prizes" that I assign higher rank or rarity to: Any stamp that was cancelled on my actual date of birth-- August 30, 1960-- gets bonus points from me. Similarly, any stamps canceled on August 30th in one of the two towns in Denmark where I grew up-- Rungsted Kyst and Hørsholm-- also get "bonus points." So far, I have only found three examples of the former, and ONE example of the latter. But the hunt continues!

The "moral" of the story is that I take an active role in remembering what makes stamp collecting fun... and what made it fun for me, in the first place.